Understand how to create lifelike portraits by painting in levels. Gustavo Ramos shares the insider secrets guiding his masterful perform in an oil portray demo of Mother and Child.
Phase 1: The Wipeout
To get started this portray, I lined the surface with a slim wash of transparent oxide crimson and ultramarine blue diluted with odorless mineral spirits. I applied this combination with a rag and wiped the panel until I achieved a mild neutral tone. Then, I began arranging out the composition and drawing by carving out the lights with a kneaded eraser.
Stage 2: The Drawing
In the next stage, I switched from a mass mentality to a much more linear technique to refine the drawing. By very carefully positioning straight traces on the panel, I could figure out the rhythms and spatial relationships of the pose, doing the job from large to little. I held my conté pencil sharp at all moments and built refined tips of variety and quantity as a warmup for the portray stage.
Phase 3: Painting the Complete
With my drawing recognized, my upcoming aim was to protect the entire floor with a layer of paint. Using my whole coloration palette, I attempted to do this in 1 painting session, doing the job broadly and attempting to understand the shade and tonal associations all through the piece.
I was basically trying to seize an correct initial impression. I consider the very best way to accomplish this is by working on the complete portray at as soon as somewhat than component by section. Employing outdated synthetic brushes, I designed sporadic marks that still left an organic come to feel, which would show by means of in the finished painting.