How to Use Alla Prima Studies to Elevate Your Portrait Painting
Portrait portray has been a enthusiasm of mine for as very long as I can don’t forget. I have been consistently working to get better at it since my early 20s, when I was a university student in Florence, Italy. I researched conventional methods of drawing and portray that had been handed down to my teachers from authentic masters of the 19th century. Nowadays, I go on to hone these competencies as a drawing and painting teacher.
Two Techniques to Setting up Capabilities
Skill-making is a advanced endeavor for artists. Initially, we will need to have the ideal theories and then abide by them by means of with the correct physical exercises. I’ve uncovered there are two methods greatest suited to the practice of portray:
- Lengthier scientific studies designed about the class of lots of times, months, or sometimes even months
- alla prima studies is a relatively low-risk way to build your skills. Whether the work ends up fit for framing or gets tossed into the bin, you’ll have spent a day seeing and observing the light and your subject directly from life. The results of your decisions and color choices will be right there on the surface, with no hazy glazes or layers of fiddling standing in the way. For this reason, an alla prima study is one the best exercises for students of painting who truly want to see improvement in their work.
Get the Support You Need
You’ll need a variety of materials for alla prima studies, but the support is the most important. You’ll want to work on a surface that’s quite absorbent—one that allows you to lay down clear brushstrokes that show a pure and opaque color with the first application.
Stonehenge Oil Paper by Legion is far and away my preference. The paper’s absorbent surface allows for the subtle blending of brushstrokes, making it perfectly suited to an alla prima approach. A list of other recommended supplies is below.