Juxtapoz Magazine – Will Gaynor: A Hood Ornament For Oblivion

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Will Gaynor is a painter and designer dwelling in Austin, Texas. His artwork is a visual interpretation of tales and experiences retold to build an ongoing personalized and canonical folktale.

In Gaynor’s solo show, A Hood Ornament For Oblivion, he extends upon his use of recurring symbolic imagery and metaphors, nurturing a symbiotic relationship with mother nature and the mountain as a larger point of view of the atmosphere and artistic landscape. This topic is understood by attempting to illustrate profound psychedelic activities together with an understood learning that there are innumerable means to open doorways to expose and investigate the sensitive, interconnected webs woven through time that bridge all creations. Every little thing is easily touching, developing a huge daisy chain of discernable electricity that is absorbed and illuminated by all beings and objects and as it vibrates – all the things is at as soon as ecstatic, humming and cumming.

As the appear down starts we are reminded that we are living in a state of continuous duality – a planet where by things that as soon as appeared innocuous and benign have grow to be divisive and lethal. The peaceful comforts of a forest carpeted in moss switch to dizzy, terrifying visions of hellish fires. Enter Gaynor’s character, “The Cosmic Trickster,” a rambunctious spirit to which the artist serves as the vessel – throughout this character’s appearances we are reminded of the tricks we enjoy on ourselves, the games we play with other people, and the treatment method of each individual passing day as the next spherical in a perception match. The Trickster gives a comical navigation of the intricacies of contemporary human existence, the paranoid sensation of impending doom, the notion of religious loss of life and the reward of reawakening. It gets starkly obvious that, when challenging the idea of absurdity through art, truth is the most experienced competitor.

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