In the multi-media will work of artist David Cass, recollections and tokens of bygone eras are assembled into compositions that evoke equally nostalgia for the past and serve as a reminder of fluctuations in character due to a modifying climate. Cass collects a range of items like matchboxes, tins, and previous letters from flea markets, particularly little containers that are linked with safekeeping. In some items, he accumulates little packing containers into larger vessels like cabinet drawers, even though in other individuals, the merchandise alone serves as the canvas for initial paintings that respond to each and every specific floor.
An ongoing theme in Cass’ exercise is the way attitudes toward mother nature have shifted in recent generations, describing in a profile about his artistic course of action that “ours is the first epoch in which the natural globe has been observed as a difficulty, as alone in hazard.” A the latest set up called Exactly where Once the Waters, comprising dozens of compact painted tins and exhibited all through the Venice Biennale, concentrated on a shifting horizon line. A motif of flowing traces signifying the movement of drinking water seems in the works, responding to the texture, scale, and patina of each individual distinctive object. Drinking water plays a central role in the connections he draws in between previous and current, highlighting the changeable nature of the sea, how oceans are growing all around the planet.
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